With little to no rain, the sun trying to break through the clouds, and festival attendees pouring through the gates, day two proved another successful day in the forest. There were three artist particularly on my radar for Saturday, including Pouya, Big Boi, and Beach House.
Starting at the Forest Stage for the second day in a row, I was shocked to find somewhat of a bleak crowd formed around the stage. From behind the speakers and light fixtures, and tall lanky white boy emerged onto the stage with the beat following. Pouya performed songs “Growing Pains” and “Energy 2,” which embody a lot of what kids these days are calling “hype.” Towards the end of his performance he told the crowd, “don’t sing, just mosh,” so with body parts flying around in the front, and people bumpin’ in the back, the show came to an end.
The next performer on my radar was Big Boi, a rapper best known for being a member of the hip hop duo Outkast, alongside Andre 3000. We’ve all shaken it like a polaroid picture once or twice, but Saturday night I was ready to get down and boogie. Unfortunately, Big Boi conquered the stage later than scheduled, but the wait was well worth it. He performed songs from his duo Outkast including, “B.O.B,” “The Way You Move,” and my personal favorite, “Mrs. Jackson.”
In addition to Big Boi’s notable work with Outkast, he played songs from his collaborative work with Phantogram, titled Big Grams. Although Phantogram was at the festival on day one, Big Boi performed their songs “Lights On” and “Fell In The Sun” solo. During the infectiously catchy song “Drum Machine” the crowd was bouncing, twerking, and shaking what their mama’s gave em’. The energy from the crowd out of control, and it was awesome.
Lastly and slightly later than scheduled, Beach House took the stage. Despite the anxious fans waiting, there’s nothing better than the moment you close your eyes and hear a sea of voices chattering go silent before cheering on an artist to take the stage. The base crept in, and with a steady beat, and the strings of guitars chiming in, Beach House took the stage opening with “Wild.” Beach House embodies a very melodic and soothing sound in many of their songs, creating a wonderful concert experience during songs like “Myth” and “10 Mile Radio.” With lots of swaying and subtle movements around the crowd, the show had a kind of feeling you’d experience while listening to a lullaby. It was breath taking.
If you’re anxious for the fest or the Late Knight shows, I highly recommend you check out the Sound on Sound Fest kickoff parties. On November 3rd, multiple performances will be held at five different venues around Austin, TX, and will also be free to anyone with an official Sound On Sound Fest wristband. I know we’re all stoked to get to the festival, so to ease the wait, hit up the festival pre-game and check out the schedule below!
In addition to the Late Knights and pre-fest celebrations, the creative minds behind the festival have also generously developed an app for a smooth festival experience. The app contains all the set times, a festival map, festival vendor information, and more! The app is available in the 
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